Yves Saint Laurent, Long evening
ensemble, haute couture collection, Fall-Winter 1976. Emerald and sable
velvet bolero; peacock blue-and-gold chiffon; Prussian blue Ottoman
skirt. © Fondation Pierre Bergé-Yves Saint Laurent, Paris / Photo A.
Guirkinger.
After the great success of the le smoking tuxedo a year earlier,
the appearance of a pant suit opening the Yves Saint Laurent 1967
Spring-Summer runway show presented the notion of the menswear inspired
piece to be worn both day and night.
Yves Saint Laurent, Short cocktail dress,
Tribute to Tom Wesselmann, haute couture collection, Fall-Winter 1966.
Purple-and-black wool jersey, encrusted “face” motif. ©Fondation Pierre
Bergé-Yves Saint Laurent, Paris / Photo A. Guirkinger.
Yves Saint Laurent, Short evening coat,
haute couture collection, Spring-Summer 1971. Green fox fur. ©Fondation
Pierre Bergé-Yves Saint Laurent, Paris / Photo A. Guirkinger.
All though Monsieur Laurent did not travel much outside of Paris and his second home in Morocco, he found inspiration in other cultures.
Russia: Yves Saint Laurent, Long evening
ensemble, haute couture collection, Fall-Winter 1976. Emerald and sable
velvet bolero; peacock blue-and-gold chiffon; Prussian blue Ottoman
skirt. © Fondation Pierre Bergé-Yves Saint Laurent, Paris / Photo A.
Guirkinger.
Spain: Yves Saint Laurent, Torero ensemble,
haute couture collection, Fall-Winter 1979. Pink gazar cape; gold and
pink lamé bolero and knickerbockers; bright pink satin and taffeta
blouse. ©Fondation Pierre Bergé-Yves Saint Laurent, Paris / Photo A.
Guirkinger.
Monsieur Laurent also found inspiration from the great painters comparing the use of paint to the use of fabric.
Yves Saint Laurent, Long evening dress, inspired by Henri Matisse,
haute couture collection, Fall–Winter 1980. Black velvet and moiré
faille, multicolored satin appliqué leaves. © Fondation Pierre
Bergé-Yves Saint Laurent, Paris/Photo A. Guirkinger.
YSL’s famous Mondrian shift dress and Short evening
ensemble, Tribute to Vincent Van Gogh, haute couture collection,
Spring-Summer 1988. Jacket embroidered with sequins and pearls; green
crepe blouse; purple crepe skirt. ©Fondation Pierre Bergé-Yves Saint
Laurent, Paris / Photo A. Guirkinger.
Other interest!
The amazing hallway of floor-to-ceiling fabric swatches and their resulting dresses. Photo by Erica Nikolaidis.
An intricate re-creation of YSL’s workspace layered with artful
curios and inspiration boards. A film clip projected on an adjoining
wall covers YSL’s early years at Christian Dior. Photo by Erica
Nikolaidis.
As you leave this last room takes your breath away...these tux's and all the beautiful ballgowns!
The final room with 28 foot ceilings covered with Le Smoking Tuxedo Jackets. Photo AP
Fabrics, Sketch, Dressforms and Dress-Up...with Kathy and Ellen!
so...why not?!?
As we were waiting for the shuttle my dear friend asked me if I got loads of ideas...thinking about it for a moment my reply was that I got a feeling...his feeling for the love of fabric and the gentleness of his spirit that flowed through each of his pieces.
Thank you YSL for all your talent,
inspiration, and gentle love of fabric!
photo FranceAmerique.com
Yves Saint
Laurent, who reworked the rules of fashion by putting women into elegant
pantsuits that came to define how modern women dressed, died Sunday
evening June 1, 2008. He was 71.
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