Friday, August 21, 2026

I AM Koi

Koi is quietly beautiful. 

There is a softness in her face, a sweetness that feels almost vulnerable, yet she carries herself with a quiet strength. 

The koi has long been associated with perseverance, transformation, and the ability to move through difficulty with determination. 

But for me, Koi is less about any one symbol and more about movement—the way water carries us, changes direction, and continues on.

I wanted that sense of movement to live within her clothing. 
The translucent blue of her overskirt drifts around her like water, revealing what lies beneath while never quite settling into one shape. 

She seems to stand in stillness while everything around her moves. 


Perhaps that is where her strength lives: 
not in resisting the current, 
but in knowing how to move with it.



PROCESS of Skirt:
PROCESS of skirt: Grasses in paper, cotton, silk, vintage kimono
appliqued onto hand-dyed vintage cotton'
Hand-painted mulberry paper as fish.
Topstitched.





Friday, July 31, 2026

I Am Lotus

The Elephant opened the door.

Lotus crossed the threshold...


There comes a season when becoming is
no longer the work.

Being is.

Not the kind of being the world measures by accomplishments or titles.

The quieter kind.

The kind that settles into your bones after years of searching.

The kind that no longer asks,
"Who should I become?"

but gently whispers,
"Who have I been all along?"

She began as The Dreamer.

But somewhere along the way,
her hands found heart center.

And she whispered,
I am Lotus.

I Am Lotus arrived during one of those seasons.

Not as an answer.
As a recognition.

For years my work has been about symbolism.
Every stitch, every fragment of cloth, every found object carries meaning.
I have always believed that objects remember.

But recently something has shifted.

I find myself listening less to what a symbol traditionally represents and more to what it wishes to reveal through the piece itself.

The lotus has always been associated with rising from muddy waters into bloom.

We know that story...

But this Lotus was not interested in telling me about the mud.

She was interested in telling me about the flower.

She appeared quietly.

Her eyes are closed—not in sleep, but in knowing.

Her hands rest over her heart.

Lotus leaves cover her robe. Layer upon layer, they hold traces of time, wear, and light. 

They remind me that the flower does not exist apart from the place that nourished it.

She wears no armor.

Only remembrance.

As I worked, I realized she wasn't becoming Lotus.

She was introducing herself.

I am Lotus.

Not,
"I hope to be."

Not,
"One day I will become."

Simply—
I am.
Interior: Silk kimono fabric dyed yellow as the sun.





Lotus:

Hand-dyed Japanese paper, silk, pod from nature, vintage stamens.

Leaves:

gold silk—the light already present.

dyed paper—the places where life has worn through, leaving openings rather than perfection.

blue silk—the deep water, the quiet.

metallic stitching radiating outward—the invisible connections, almost like veins or the memory held within every leaf.

Until one day we no longer introduce ourselves 

by what we have accomplished, overcome, or become.

We simply place our hands over our hearts,

and remember.

I am.


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